From dubbed-out tape delays and rich multitaps to mind-bending psychedelic soundscapes and glitchy micro-loops, Sandman Pro does it all and more. There are more detailed delay plugins out there, for sure, but Sandman Pro's six Delay Modes are perfectly - ahem - pitched for creative sound design, and the looper is just amazing. Since its release, Unfiltered Audios Sandman has wowed mix engineers, sound designers and DJs alike with its slice-and-dice. You do not need to purchase Instant Delay separately. ![]() #Unfiltered audio sandman pro delay licenseThe new delay modes and freeform modulation system would have been worth upgrading for on their own, but add in the waveform display, the high-pass filter, and the Echoes section, and it becomes immense. NOTE: A Sandman Pro purchase automatically includes a license for Instant Delay. ![]() There's not a single significant element of Sandman that hasn't been radically overhauled for its Pro transformation. Lastly, the stereo Width knob and M/S button enable narrowing and broadening of the stereo image and mid/side encoding, and Soft Clip applies analogue-style saturation to 'overs'. When the Modulation panel is open, a small input 'socket' appears on all viable targets (every knob and slider, and almost all buttons), and to make an assignment you drag a virtual cable from the modulator output to the target parameter's input.Ī single source can modulate as many targets as you like, sources can modulate each other, and modulated parameters are representatively animated in the GUI. The signal types available to each source comprise Sine, Saw/Triangle and Square LFOs, an envelope follower, Sample + Hold Noise, and a Macro knob. Features - 5/5: Insanely deep, capable plugin. ![]() Ease of Use - 5/5: Between the clear UI, different size options, tooltips, and intuitive modulation system, a plugin this deep has no business being this easy to use, but Unfiltered Audio pulled it off. Sandman features a pair of LFOs for wobbling a handful of parameters, but Pro swaps this for the same superb modulation setup as Unfiltered's Fault.Ĭlicking the Modulation button pops out a panel into which up to six modulation sources can be loaded. Sound Quality - 5/5: Great sound on all fronts, even when being abused. It's an awesome graphical aid, although it could do with an option to zoom in on the active Start/End range, as without that, it's effectively useless with very short buffer sizes. When not in Sleep mode, this simply shows the input signal in Sleep mode, though, it visualises the left and right channel buffer contents and the 'playhead' position within them in real time, so that modulating the delay times, for example, causes the waveforms to stretch and compress. SpecOps’ locus of power is an analysis engine with the heart of a. It has announced a swiss-knife of an audio destructor called SpecOps a blend of no less than 36 different spectral effects for total glitchy mayhem. If you want to get a good feel for the power of Instant Delay, spend some time with these presets before browsing the manual. Unfiltered Audio is a great provider of knobby, slider-y sound design plug-ins for mangling audio in 10 different directions. The preset manager on the top of Instant Delay’s interface is used to load, save, or browse presets. Perhaps the coolest new Sleep Buffer feature, though, is the waveform display. Instant Delay comes with a wide array of presets to get you started. ![]() Hit the Sleep button and Sandman Pro's delay buffer is frozen and looped, freeing you up to get creative with the plugin's other parameters and some dedicated controls.Įxclusive to the Sleep Buffer in Pro are buttons for Reverse (a one-touch alternative to inverting the Start and End points), Smooth (similar to Sandman's Remove Clicks button but with different operation) and Sleep Filter. It sets the sample rate for the entire plugin, rather than just the input, so it has an effect on delay times (although there's a Lock button to counter this) and pitchshifting. Sandman's big, central Sample Rate knob has been reduced in size and moved to the bottom left, but it's still a key part of the effect. The filter's been doubled up too, with a 12dB high-pass running alongside the original's low-pass - but we're surprised there's no 24dB option, and that they're not multimode. Feedback and X-Feed control the amount of each channel fed back into itself and the other channel, while Diffuse dials in an all-pass filter that 'smears' the delays for a blurring effect. The new Echoes section contains further delay-shaping parameters.
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